Mr. Malcolm X Abram
The Akron Beacon Journal
44 E. Exchange Street
Akron, Ohio 44309 Mr. Abram,
Never have I read a review or commentary that forced me to sit and write a letter
of response until now. Your review/dissection/commentary/dissertation/spew of
the second season of CBS’s Rockstar prompted me to respond. As Carmen
Electra & Dave Navarro’s assistant and friend, I feel compelled to
defend them against your criticism and disregard.
I find your interpretation and use of the label “Replacement” remarkable.
How many records, songs or tours does one need to play before they are no longer
considered a replacement? Is Brian Johnson still just Bon Scott’s replacement
and has he not created enough original work to be called the singer in AC/DC.
Is Ringo Starr Pete Bests’ replacement? How many records do you think
Metallica sold with Jason Newstead in the band? 10 Million? Maybe 30 Million.
Do you think Ulrich and Hetfield regard Newstead merely as Cliff Burrton’s
replacement or as a co-creator of the music of their band?
I’m sure you recognize how difficult it is today to find an audience and
market yourself as a musician. I applaud Mark Burnett for creating a new avenue
for aspiring artists to reach an audience. I can tell you that Rockstar was
not created with the intention to “Cash In” or “Sell Out”
by Mr. Burnett. I know him to be a die-hard music fan that grew up loving the
music of INXS. He has found a way to broaden their audience while showcasing
undiscovered talent. It was a deliberate decision not to show the audition process
so no artist would risk humiliating scrutiny. The show is about the celebration
of music, not glorifying people’s inadequacies.
Your comment that the female contestants never really had a chance at winning
could not be more off base. Both Jordis Unga and Suzie McNeil were adored by
the members of INXS and eliminating them was a brutal and difficult decision
that they made with painful deliberation. While you might not see the beauty
in it, but I would like to share a story that I heard at the wrap party for
Rockstar: INXS. Tim Farris told me that Michael Hutchence loved water, the ocean
and the rain. When it would downpour during an outside concert, Michael and
the band would purposefully splash the audience to “wind them up”.
It became a ritual that everyone got into. At Michaels’ funeral on a sunny
Australian day, it poured during his service and all of his friends and band
mates knew his spirit was with them. While INXS was deliberating on the winner
of Rockstar last season, it began to pour suddenly in the middle of a seemingly
beautiful Los Angeles day. Once again, his band mates knew Michael’s spirit
was right there with them and he was embracing their decision.
What makes a “Media Whore”? Your attack on Dave and Carmen sounds
jealous and petty. You may not share or agree with their career choices, but
Dave and Carmen come to their decisions as honestly and true as I’m sure
you follow your literary passions. Carmen loves to work and rarely has more
than two days off. Never have I seen her take a job without earnestness and
professionalism. Not only is Dave an Executive Producer and the co-host of Rockstar,
he is the guitarist in the Camp Freddy Supergroup, the guitarist in his band
Panic Channel, host of the Camp Freddy radio show on Indie 103.1 in LA, the
co-writer/co-producer of a new TV drama, but he has created an internet radio
community – SpreadRadioLive.com. You probably see this as “whoring”.
The Media is Carmen and Dave’s Medium. If Time magazine approached you
to write an essay and you accepted, and than you wrote one for Newsweek, and
then the New York Times, where along the way have you become a Media Whore?
Judging from the selection of articles you’ve written, it appears you
understand the music world. Therefore, how can you not see that Mark Burnett
has created a worldwide stage to embrace and celebrate the dwindling landscape
of rock music as it exists today? I hope you take more consideration into your
further articles but maybe it is out of your reach since you do not create or
orchestrate the creation of art, you just describe it and give it legitimacy
or lack thereof.
Regards,
Gregg Simon
Assistant to Carmen Electra and Dave Navarro